5th INTERNATIONAL
ALEXANDER TEACHER’S CONVENTION
KAMNIK, SLOVENIA 12 – 18 JULY 2026

Aerial view of Kamnik<br />

Presenters

Every day there will be practical workshops, talks and discussions led by some of the world’s most experienced Alexander Teachers. Most of the workshop presenters have gained vast experience directing, co-directing or moderating Alexander teacher training courses, or have regularly led post-graduate training for teachers – and often both!

They have been specially chosen for this Convention because of their lively and inspiring style of teaching, and their keen interest in the future of the Work. Their workshops will vary in theme from balance to psychology, from voice to building a practice, and from evolution to acting. In fact, we aim to cover all interests. This unique setting will give you the opportunity to ask questions at the workshops, or if you prefer, over lunch or a cup of coffee!

Judith Kleinman

Judith Kleinman

From: London, UK

Judith's Profile

Judith Kleinman is part of the Alexander Technique team at The Royal College of Music where she has been teaching for nearly four decades.

She is also the Alexander teacher at The London School of Musical Theatre and founder of the Alexander team at the Junior Royal Academy of Music (www.alexandernow.org).

Judith is now one of the Co-Heads of Training at the London Centre for Alexander Technique and Training (LCATT) (www.lcatt.org.uk) where she has worked since 2003.

Judith is the co-author of The Alexander Technique for Musicians, published by Bloomsbury (www.alexandernow.org/the-book), as well as the author of the recently published, Finding Quiet Strength, which integrates Alexander’s discoveries with the work of Professor Raymond Dart, and also draws on the disciplines of yoga, qigong, and tai chi (www.findingquietstrength.com).

Along with Sue Merry, Judith is the co-director of The Developing Self, an organisation that designs Alexander technique-based curriculum for primary, secondary, and tertiary education, trains Alexander specialists in their delivery, and researches outcomes in the field (www.thedevelopingself.net).

Judith and Sue are the co-founders of ‘The Ready List’, a project that adapts the Alexander principles into simple, easily applied language, games, and activities so that they can be integrated broadly into a variety of educational settings (www.thereadylist.com).

Judith founded the STAT Alexander in Education Special Interest Group and has made many information films about Alexander in Educational settings.

She lives in London with husband Peter Buckoke.

Sue Merry

Sue Merry

From: London, UK

Sue's Profile

Sue Merry has been working with The Ready List (TRL) in schools since 1994. She is a founder member of Educare Small School where the practices around TRL were first created.

Sue is the co-creator and joint training director of The Developing Self.

Sue is recognised as a pioneer and world expert in creatively applying Alexander work to primary (elementary) education in the form of The Ready List (TRL). Along with her colleague, Judith Kleinman, Sue has created a certified training course for Alexander Teachers wishing to work in education. There are now over 100 graduates from this course world-wide.

Sue’s books Alexander in Primary Education and The Labyrinth of Gar are available from Amazon. Her new book The Ready List is currently in progress and should be available at the Congress.

For more information about TRL please visit www.thereadylist.com

Malcolm Balk

Malcolm Balk

From: Montreal, Canada

Malcolm's Profile

Malcolm Balk was attracted to the Alexander Technique in the late 70s when his cello teacher suggested it might help with tension and stage fright issues.  Malcolm subsequently trained as an AT teacher with Patrick Macdonald in London, graduating in 1984. Runner and coach, Malcolm competes in his veteran category and holds several age group records in Quebec.  He has been leading Art of Running workshops throughout the world (Europe, North and South American, Australia, and Japan) since 1992.  In 2016, Malcolm began training Alexander Technique teachers to work with runners in his Art of Running Instructor Training program, holding courses in Ireland, Argentina, England, New York City, Uruguay, and Germany.  

Malcolm is the author of two books: Master the Art of Running and Master the Art of Working Out. He is currently based in Montreal with his wife, Lindsay, 3 teenage girls, 2 cats and one dog, Millie.

Lindsay Newitter

Lindsay Newitter

From: New York City, USA and Montreal, Canada

Lindsay's Profile

Lindsay Newitter began learning the Alexander Technique while studying acting in the 90s and dealing with the repercussions of scoliosis and having worn a back brace as a teenager.  She completed her AT teacher training at ATNYC in 2007 with John Nicholls and Nanette Walsh.
She first had the idea to start running after taking one of Malcolm Balk’s workshops.  She’s been a recreational runner for over 10 years and frequently works with runners as an Art of Running instructor.  She has helped Malcolm develop his Art of Running Instructor Training and has co-taught many of these trainings with him – in New York City, Ireland, Argentina, Uruguay, and Germany.  

Lindsay has been teaching the Alexander Technique for 18 years in New York City and now in Montreal.  In addition to her private practice, she teaches workshops, courses, and retreats for women, focused on using the Alexander Technique to communicate with confidence.

Joseph Weissenberg

Joseph Weissenberg

From: Munich, Germany

Joseph's Profile

Dr Joseph Weissenberg holds a PhD in Music Pedagogy from the University of Art Mozarteum Salzburg (2014), where his dissertation focused on ‘Alexander Technique and Stage Presence’.  He completed an MA in Music and Dance Education in 1995 at the same university, specifically in the Orff-Institute department.

Joseph began his journey in the Alexander Technique under the guidance of Joan and Alex Murray (1997-1998) and completed his training as an Alexander Technique teacher with Ruth Kilroy in Boston in 2000. To deepen his expertise, he undertook a two-year post-graduate training with Rivka Cohen (2000-2001). In addition to the Alexander Technique teacher training, Joseph Weissenberg is a Systemic Constellation Coach (since 2013) and recently completed advanced work in Heart Energy and Fantasy Immersion and Movement Priming (2024).  He has developed various awareness programs tailored for different professional fields. As an author, he has contributed to several works:

  • Alexandertechnik und Bühnenpräsenz (Alexander Technique and Stage Presence), Utz Edition, 2015 (German)
  • Seelenraum Meditationen, Romeon Verlag, 2022 (German)
  • Open Your Heart Energy (ebook, 2025)
  • Bewegungen Primen für Pianisten (Movement Priming for Pianists), ebook, 2025 (German)

Dr Joseph Weissenberg continues to impact the fields of music pedagogy, body awareness, and energy work through teaching, writing, and program development.

Aino Klippel

Aino Klippel

From: Finland

Aino's Profile

Aino Klippel did her Alexander Teacher training at the ATTS in London. She has taught Alexander Technique since 2010. Along with the Alexander Technique she has studied yoga and holds a RYT 500 yoga teacher qualification and has extensive experience in ashtanga yoga.

Before learning the Alexander Technique, Aino was a clarinettist as well as a music pedagogue and vocational teacher. She has an interest in creating engaging environments for learning the Alexander Technique. She was also studying service design to improve her ability to offer Alexander Technique to various types of people.

Portrait Wolfgang Weiser

Richard Brennan

From: Galway, Ireland

Richard's Profile

Richard Brennan has studied the Alexander Technique since 1983 and has been teaching individual and group sessions since 1989 having undergone a three-year teacher training course approved by STAT (UK); he travels internationally giving talks and courses on the Technique. He has taught the Technique at many educational centres including Galway University, Limerick University, DIT Conservatory of Music and Drama (Dublin), Dartington College of Arts (Devon), and Middlesex University (London). Temple University (USA). He regularly teaches on holiday courses in Spain, Germany, Greece, Croatia and Slovenia. He was a director of the 2015 Alexander Congress in Limerick as well as the 2013 and 2017 Alexander Teacher’s Conventions in Ireland.

He has written eight books on the Alexander Technique, which are translated into 22 languages and are on sale world-wide – the titles including The Alexander Technique Workbook, Change your Posture – Change your Life and How to Breathe

Richard has been the director of the only Alexander Teacher Training College in Ireland for the last 22 years, Ireland which is STAT and ISATT approved and is also a past president and the co-founder of the Irish Society of Alexander Technique Teachers. (ISATT). He strongly believes that the technique is in essence very simple and easy to understand, but often it is made far too complicated and uses this believe as the basis of all his workshops.

Portrait Wolfgang Weiser

Kecia Chin

From: New York, USA

Kecia's Profile

Kecia Chin qualified as a Teacher of the Alexander Technique in 1999 from ACAT New York and has been working in private and small groups ever since. She is also a certified Yoga Teacher with specialty in Hatha, Vinyasa, and Bikram yoga and uses both disciplines to help people with scoliosis and other postural issues.

As a yoga instructor she specializes in the Schroth Yoga method. Kecia uses the principles of Alexander method alongside yoga breath therapy and designs specific Yoga Asanas for people with scoliosis. This helps to elevate back (upper, middle, lower) pain, or discomforts in shoulder, ribs and hip-as a result of scoliotic curvatures of the spine pain. She uses knowledge of anatomical alignment issues due to postural/spinal issues in her yoga practice specifically addressing form and function.

She helps clients to find ease and freedom during daily physical activities ranging from still postures (standing, sitting, sleeping). More importantly, how to practice pain prevention in more physically demanding postures and or asana practices in the many styles of yoga – – to simplify the everyday repetitive activities- working at a computer, playing sports, and exercises that compounded over time may cause long-term pain and/or discomfort.

Portrait Wolfgang Weiser

Annedore Kleist

From: Berlin, Germany

Annedore's Profile

Annedore Kleist is a professional actor and experienced teacher of the Alexander Technique. She studied acting at the School of Music and Theatre Hamburg and since her diploma in 1991 she has played in many theatres including Theater Basel, Theater Wuppertal, Théâtre de Vidy Lausanne, Ruhrfestspiele Recklinghausen and Wiener Festwochen. Since 2002 she has travelled to festivals all over Europe with the Berlin based theatre company Nico and the Navigators. Annedore also plays in Film and Television.

In 2004 she finished her training at the School for Alexander Technique in Berlin with Dan Armon and ever since then she has specialized on working with actors and performers. She is also very experienced in breath and voice work. In 2018 she became a regular guest teacher at the Alexander Technique Teaching Training program in Galway, Ireland and now she is the permanent assistant of the course.

Peter Buckoke

Peter Buckoke

From: London, UK

Peter's Profile

Peter Buckoke has written the Alexander course syllabi for the Royal College of Music undergraduate and postgraduate degrees since 1989.

These courses are a significant contribution to the development of thousands of the alumni of the RCM not only during their tertiary education but as they go forward into their professional lives in countries all over the World. 

Peter is co-author (with his wife, Judith Kleinman) of The Alexander Technique for Musicians, (Bloomsbury 2013). 

Portrait Niall Kelly

Niall Kelly

From: Limerick, Ireland

Niall's Profile

Niall Kelly, MSc(Mgnt), MIITD, ISATT, mSTAT, trained to be an Alexander Technique Teacher in Galway, Ireland with Richard Brennan and was a Co-founder of The Irish Society of Teachers of the Alexander Technique (ISATT) of which he is currently president.

As well as running a successful practice as an Alexander Technique teacher Niall also teaches the technique in the University of Limerick to students on the MA programme in Chant and Ritual Song and on the BA in Voice and Dance, as well as to undergraduates in Mary Immaculate teacher training college in Limerick. He runs a regular workshop on Breath and Chant in the Benedictine monastery at Glenstal Abbey, Murroe, Co Limerick and was guest presenter at the 2013 and 2014 AmSAT annual conferences in Chicago and LA.

Niall is also an organisational change consultant and executive coach. He has worked in the area of organisational and personal change throughout his career. From his direct experience, he has seen how most organisations and individuals have to face wide-ranging changes to keep up with changing environments so they can readily adapt to emerging technologies in their fields. Too often he has seen how failure to do so early enough frequently results in the early demise of organisations and individuals.

Portrait of Natalija Jović

Natalija Jović

From: Belgrade, Serbia

Natalija's Profile

Natalija Jović is a graduated flutist, a Doctor of Science in Arts and a certified Alexander Technique teacher. She has been a music educator for many years. She was a flute teacher at the “Marko Tajčević” Music school in Lazarevac and has achieved significant results with students. Her interests as the researcher gravitate towards the methodology of teaching wind instruments and the methods and techniques that support musical development. She holds seminars and workshops in the country and the region.
A significant aspect of her work relates to psychomotor support for musical performance and aims to educate both students and professionals in ways to relieve unnecessary tension during playing, prevent pain, tendinitis and injuries. Teaching provides the necessary knowledge for quality body positions and movements during musical performance. The effects of working with the Alexander Technique teacher are reflected in greater freedom of movement, flexibility, better support for the instrument, the ability to practice for hours without fatigue and pain, and by reducing the fear of public speaking. All of the above results in changes in tone quality, technical abilities, and expressiveness.
Another important aspect of her work is in the field of effective practicing at a new music school project. Her active plan for practicing is based on self-regulated learning and offers the necessary knowledge about practicing strategies that facilitate independent work and ensure good results.
Portrait of Ana Milek

Ana Milek

From: Zagreb, Croatia

Ana's Profile

Ana Milek studied physical therapy (physiotherapy) at University of Applied Health Sciences. After three years of studies she obtained a BA in physical therapy. Her main interest was manual medicine and manual treatment techniques applicable to a variety of painful conditions so she attended various seminars on the subject and in 2009. She started with education at Croatian Academy of Osteopathy.
In 2011 she had her first contact with the Alexander technique and she immediately became extremely interested and wanted to know more. From 2016 to 2019 when she was already an advanced student at the Academy of Osteopathy, she attended a three-year Alexander technique teacher training in Freiburg, Germany (ATVD approved).
In her work she combines osteopathy with Alexander technique. She lives and works in Samobor, Croatia where she runs her own private practice. She loves what she does and every patient/client/pupil is a unique source of learning for her but most of all she loves to work with musicians and dancers.
Portrait of Attila Majer

Attila Majer

From: Budapest, Hungary

Attila's Profile

Attila started learning the Alexander Technique in 2010 and became a certified teacher in 2014.
Besides the usual one-on-one scenario, He is very interested in experimenting with approaches that support teaching in groups, in person and online as well.

He has been working full time in my private practice in Szeged, Hungary. Also leading courses and workshops on the technique at the following institutions:
– Budapest Alexander Technique Teacher Training
– Semmelweis University, Budapest – Medicine and Health Sciences
– University of Szeged
– Faculty of Education
– Faculty of Health Sciences and Social Studies
– Béla Bartók Faculty of Arts

He is a member of the Hungarian Alexander Technique Teacher Association. He advocates social responsibility and has been doing pro-bono Alexander work with NGO-s, underprivileged children and their mentors, and many times people living with neurodegenerative diseases.
Also in 2018 He became a Transformational Coach which gives a lot in terms of supporting the people I work with in their progress.

Géraldine Marmier

Géraldine Marmier

From: Zurich, Switzerland

Géraldine's Profile

Géraldine is a professional singer, choir and orchestral director, who qualified as an Alexander Technique teacher in 2009.

In 2010 she founded the Studio Brunau, a multidisciplinary practice, in Zurich.

In 2019 Géraldine implemented Alexander Technique and Priska Gauger’s balance time©️ at Confiserie Sprüngli confectionery. Priska Gauger’s balance time©️ is a work-place health promotion whereby workers learn to be responsible for their own health.

Géraldine has been the mother of a boy with mild Autism Spectrum Disorder since 2013.

 

Kerin Black

Kerin Black

From: London, UK

Kerin's Profile

Kerin was recently appointed Head of Alexander Technique at the Royal Academy of Music in London, where she has been on the faculty since 2021, and where she was a horn student in the 1990s.

 

In 2016 she founded and was Director of Training of an ATAS recognised school in Stuttgart, the South German Alexander Technique Centre (SATZ), which she continued until her move to the UK in 2020. Prior to that she was named assistant at the Alexander Technique Teacher Training Centre in Zurich (ATLAZ) for five years.

In addition to training AT teachers for nearly 10 years at the ATLAZ in Zurich and the SATZ in Stuttgart, she has also designed and delivered continuing professional development (CPD) workshops for AT teachers and music teachers, alongside regular one-to-one and group teaching.

Kerin is also active as professional French horn player, regularly appearing in West End musicals such as Wicked, Back to the Future and The Lion King, as well as classical engagements with various ensembles including the Orchestra of the Royal Opera House, the Royal Ballet Sinfonia, Welsh National Opera and the Royal Liverpool Philharmonic Orchestra.

Needless to say, she is particularly inspired by her work with musicians of all levels, having the first-hand experience of just how life-changing it can be. Beyond her employment at the RAM, her work as an AT teacher with musicians has included guest workshops and lessons for Texas State University, Denison University and Interlochen Arts Academy in the USA, Leuphana University and the Musikschule im Schloss in Germany and the International Horn Symposium in London, amongst others. She also founded and ran an AT programme at Kingston Grammar School in Surrey as part of the music department until 2003.

Kerin completed her training with Robin Simmons at Hampstead Alexander Centre in 2002.